Please enter a search term to begin your search.

No documents found.


Whats New?

Gorillaz Video Screening : Gathered in a small studio in London’s Soho, you have to wonder what could possibly be so impressive about the new Gorillaz video that Britain’s journalists have been shepherded together for a screening. New single “On Melancholy Hill”...
Introducing : Glass Animals : www.4ortherecord.com hit fever pitch this weekend when not 1 but 2 new tracks from the incredible Glass Animals graced our inbox with their presence...
David's Lyre : Masked troubadour, David's Lyre is, like his semi-hidden aesthetic, somewhat of a mystery at present. Although if fairness exists in the world at all...
Frankie & The Heartstrings : Interview : Sometimes, (not often mind), you go to see a band with a vague sense of expectation, born from nothing more than early releases and odd pieces of press, only for, by some twist of fate, this band you considered “fairly decent” until now to prove one of the...
Lunar Youth : Interview : Lunar Youth make the kind of music that makes your heart skip a beat as the emphasis on romance engulfs you in a warm flurry of emotion. It’s really rather lovely. Their nostalgic take on pop, reminiscent of the 80’s penchant for...


Dieter Schöön: 'Lablaza'

Dieter Schöön: 'Lablaza'

An explosion into a Beck-style percussion landscape is the inimitable introduction to Swedish psychedelic pioneer Dieter Schöön.

Multi-lingual, multi-instrumental and sincerely multi-talented, the vocal is icily cool, Germanic consonants which call Berlin-era Bowie to mind.

Opener 'Manuel' is a swish Roxy Music-meets-Scissor Sisters electronica affair, but loses its way and runs about a minute too long.

The mariachi trumpets of laidback 'Mary Jane' call to mind Hello Saferide's 'High School Stalker', and with Schöön's trademark Julian Casablancas-style vocal, the references flood in throughout the record.

Although each track is executed with a degree of musical professionalism that evades some, there is a distinct lack of warmth to the sound.

'Warm Hearts', which pays homage to nothing so much as a stoned Kraftwerk, is laden with Schöön's heavily-accented english, but even its classic waltz rhythm and synthesized melody can't bring the much needed human touch.

A much needed injection of emotion comes in the form of the atmospheric, tragically-themed 'Soft And Slow', building to a heart-rending crescendo with the lyric, "Where you been so long?" bringing the listener into a world of hurt, but it's quickly business as usual with the ruthlessly efficient 'I'll Go There' and 'Auf Wiedersehen'.

Schöön shows talent and promise, but there's something lacking in the execution. Perhaps the next record will see Schöön shine.

Words: Kirstie McCrum


Write a comment

  • Required fields are marked with *.

If you have trouble reading the code, click on the code itself to generate a new random code.
Security Code:
 


-->