Marmaduke Duke: 'Duke Pandemonium'
When creating such an elaborate and vivid concept as Marmaduke Duke, it is very easy to get caught up in the story line and allow the music to become almost obsolete. The album becomes about the people and the places, rather than the music within them. This is not the case with Duke Pandemonium, not by a long shot. Although the story behind The Atmosphere and The Dragon is intriguing, it is the beautifully crafted and fresh tracks that make the album such a stand out. A lot is to be expected of the duo, what with their successful backgrounds and musical pedigree, but few could have predicted that such a rounded and complete album was capable of being produced as a side project. Its amazing stuff, and it’ll certainly get you dancing.
For a 10 track album there is a stunning amount of variety. Opener “Heartburn” is very much an 80s’ throwback, with drumbeats and maracas abound. Neil’s falsetto is pitch perfect as always, and a descending chromatic guitar riff offers a modern element and a reminder of duo’s background. It’s a fantastic opener, securing undivided attention immediately. “Silhouettes” begins in the same way, with a steady drumbeat and a subtle synth giving way to a crisp and punchy riff. It’s not particularly complex, but it certainly is effective. Walking bass lines and an extra funky element, whilst Neil and Reid harmonise beautifully over the top. A standard start one would think, until follow up “Music Show” begins with a pounding drum and bass introduction and fully synthesised guitars. It’s a surprise, but certainly a welcome one and the song goes on to as a 7 minute epic. To have such variation in an opening cluster of tracks alone is admirable, and for it to be channelled by such energy and talent is even more exciting.
The duo certainly haven’t forgotten how to have fun. “Erotic Robotic” is brilliantly written as well as being highly amusing. Filled with key changes, beat alterations and a plethora of different instruments, the line “Erotic robotic/despite the accent we’re Scottish” is pure comedy, making the whole track a light hearted success. Similarly final track “Skin The Mofo” is short on sense but full of humour. Along with its obvious references to the title, it comes complete with a lively melody and even some steel pans, an odd occurrence after such threatening subject material. Single “Rubber Lover" is also a triumph, with its infectious bass line and nonsensical lyrics. But undoubtedly special mention must go to the masterpiece that is “Je Suis Un Funky Homme”. Not only is it a highly amusing track name, but with its light and dancy guitars and disco influenced drumming, it is one that will remain in the head for a long while after. It is impossible to sit still to such a track, and upon realising you are swaying to a track with such a hilarious name, it is also impossible not to laugh.
The Atmosphere and The Dragon may be part of concept based on wandering Dukes and ghostly henchman, but the reality is Duke Pandemonium is a masterpiece of dance, humour and creativity certain to be a massive success in the not too distant future. The concept its self adds greatly to the impact, with the onstage attire likely to be a fantastic addition to the music. But it is the music that is undoubtedly the greatest achievement, with an abundance of variation that is sure to make the album a lasting success.
Words: Dan Grose
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