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Gathered in a small studio in London’s Soho, you have to wonder what could possibly be so impressive about the new Gorillaz video that Britain’s journalists have been shepherded together for a screening. New single “On Melancholy Hill”...
Sometimes, (not often mind), you go to see a band with a vague sense of expectation, born from nothing more than early releases and odd pieces of press, only for, by some twist of fate, this band you considered “fairly decent” until now to prove one of the...
As many of you will be aware Digital radio stations BBC 6 Music and the Asian Network are facing closure as part of a shake-up of the BBC. This proposal has caused general outcry amongst musicians and music fans alike...
Full of nostalgic charm, The Drums have taken the music scene by surprise in one of the most unlikeliest success stories this year. Harking back to a golden age of music, their surf-tinged indie pop...
Acid Washed are the Parisian duo of Andrew Claristidge and Richard D'Alpert, and although they have day jobs, after hearing their polished self-titled Record Makers debut album, you’d think they’d be full-time musicians...
What is a Plastic Beach? Is it a metaphor for the consumerist world and its destruction of the planet? Or is it a genius way of not getting sand in your swimming costume? It does not really matter, because...
Kid Sister has had a certain amount of notoriety for some time despite her long-awaited debut album only just being dropped after being pushed back over and over again. Such notoriety can be attributed to a number of things...
Andrew Clarke, aka Andy C, has been the biggest name in UK drum & bass since it started hitting speakers back in the early 90s. Beginning his career as a producer, he then co-founded the UK’s biggest drum & bass record label to date, RAM Records...
Walking through the corridors backstage at the Brixton Academy en route to meet my interview subjects never fails to stir up the musical sentimentality ingrained in me. There is always an air of excitement and adrenaline surging as...
This year sees the return of the UK's biggest student festival, and the ONLY place to be from 14th to 18th June: Beach Break Live 2010, set in the picturesque surroundings of Pembrey Country Park...
“I was Dj’ing at Mad Decent events in Birmingham when I had this idea come to me...”, sounds like a line from the latest Windows advert. But instead of thinking of ways to complicate PC’s, Tom Short, aka Shorterz, was instead dreaming up his own record label...
Following a whirlwind 2009, synth masters Delphic show absolutely no sign of letting up. With the release of critically acclaimed debut Acolyte already stamped down as an early achievement...
San Francisco superband, Still Flyin' have joyously bounded a long way since their joke fuelled dub and reggae infused early development. Their complete refusal to reflect the dark mood of the moment infecting the world...
After a three year hiatus, New York's Shy Child are returning in 2010 with a sound that's more lush, dense, intoxicating, and surprising than ever...
Listing his influences as Benga, Loefah and Skream amongst others, Slof Man makes no apologies for jumping on the Dubstep bandwagon. Despite entering the scene very late, Slof-Man has...
As one of the first signings of Nylon Records in New York, the Parisian all-girl guitar-wielding group Plasticines are back with their sound expanding sophomore record this year. The rock’n’roll of their former effort still exists...
The Noughties are over and we have to say goodbye to the first decade of the Millennium. It is a shame because there was many zeitgeist breaking moments in the decade in the music world. The irony then, that 2009 was a pretty nondescript year, is not lost...
I don’t know about you, but I’m sick and tired of seeing television programmes lamenting what a piss poor decade the so-called ‘noughties’ have been. I mean, a decade is just a period of time definable by the fact that it spans exactly ten years...Nirvana: Live At Reading : DVD

Long awaited, much sought after and highly anticipated, Nirvana: Live At Reading delivers on every single bit of it's hype. Recorded at what proved to be their final UK performance in 1992, it acts as a perfect showcase of the band Nirvana were.
And current bands could certainly learn a thing or two from their example. With nothing on stage with them but their instruments, the band roll through track after track, caring nothing but for their music and the crowd, something that does not always ring true in the modern era. Understated yet undeniably adept, each track has the gritty feel synonymous with Nirvana, with Cobain's vocals fluctuating from wobbly vibrato to course shouting. Whilst never note perfect, theirs was always a style based on emotion rather than refinement, something that made their live performances all the more authentic.

Whilst being able to see such a seminal band on stage again is indeed a treat, to watch Cobain in action is undoubtedly the highlight. Knowing of his intense personal problems and eventual demise, the far away look in the front man's eyes becomes even more poignant, lending an eerie feel to his performance. Rattling through crowd favourites such as “Smells Like Teen Spirit” and "Lithium", Cobain remains stoney faced, seemingly joyless at the adoration of thousands of fans. Only the mention of new daughter Frances and wife Courtney Love raise a wry smile, a crowd dedication to Love even forcing a quick grin.
Yet it is this apparent inner struggle that makes for such compelling viewing. No matter what goes on on stage, including the dancing “Tony” appearing sporadically, it is impossible to tear your eyes away from Cobain even for a minute. Playing every melody with apparent ease and without so much as a glance at his guitar, he looks like a man both in his element and highly uncomfortable at the same time. Dressed in a loose hospital gown and clutching his battered Fender Jaguar he cuts a curious figure, yet one recognised and loved by millions for his raw talent and endearing honesty.

For such a talented band to meet such a devastating end is more than a great shame, and a glimpse of Nirvana doing what came naturally to them is a treat to say the least. Devoid of the cynical, corporate attitude that comes with many bands in the modern era, they simply play their songs to legions of fans grateful to hear them. And with the enigmatic Cobain there is a subplot sure to captivate, with his inner torment lying under the surface, and his boundless talent shining out for all to see.